the
arc
about
the arc’s approach to creative theatre collaboration – and one that has served the company well for many years – is simple. Our method (initially born out of necessity and now out of choice) is to combine the talents and experience of professional and community artists with a professional production team. This two-way process enables professionals and community performers to learn equally from each others’ skills and experience. the arc has no hierarchy: performers, production, technical crew, support team all do everything – make tea, sweep backstage, load the truck – in order to build a happy, creative and productive ship. Again, the collaboration is born out of necessity – but it’s proved to be extremely desirable. When we say ‘collaborate’ we mean it: we only make new work, so productions are built from the bones of a new script. The first time the writer hears his/her work is when we do a first read-through, and from that moment onwards, until the show opens, we work together in a truly collaborative fashion to create and develop character, study motivation, push the narrative drive, and ensure the desired emotional punch hits its mark – and that the jokes work! We treat our work seriously, and we treat our responsibility to the arc’s members and audiences equally seriously, in order to achieve a deeper and more fulfilling experience for all (we have hundreds of testimonials from past crew members and audiences) – and ultimately to have a lot more fun along the way. Our aim is to make ‘total’ theatre with strong and universal themes that reflect an authentic contemporary Cornwall.
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previous
shows
the last shout
Marking 200 years of the RNLI – and focusing on the loss of Cornwall’s Penlee Lifeboat at Christmas 1981 – The Last Shout immerses audiences in two worlds, past and present. Shining a spotlight on the courage of those who go to sea for people they’ve never met, the everyday courage of frontline NHS staff, and the creative courage it takes to tell difficult stories, it is a tribute to those who risk their lives for strangers.
Written by Simon Parker. Directed by Mark Laville. Designed by Gabby Schooling. Produced by Sarah Pym and Jessie Parker. Sound Design by Tom Parker (tomparkersound.com). Assistant Director Jemima Cummings. Performed live by Darcy Vanhinsbergh, Robyn Collins and Paul Morel, with additional recorded performances by Charlie Barnecut, Steve Jacobs, Colin Humphries, Christopher Hill, Dan Tothill, Tim Cartwright, Andy Rowe, Amelie Vaccari, Thomas Barriball, Jemima Cummings. Photography: Jack Parker (pkrproductions.co.uk)
The Drum Theatre Royal Plymouth 2024
Mike and Justine Smith
Penlee Lifeboat family
What a fabulous play – powerful, well written and performed, with so much attention to detail. Not easy to watch at times but the care and attention was superb.
Bill Scott
Miracle Theatre
Such a good play and so well done – thought-provoking, moving, enjoyable, and somewhat Brechtian.
Rose Barnecut
FEAST Cornwall
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Brave to undertake such an epic tale, but as the play says – it needs telling. A great achievement.
Amanda Harris Kernow Education Arts Partnership
The Writers’ Bloc
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This is something very special – relevant and authentic, which will linger in the minds for a long time.
poltroon
One village, three friends, fifty years of wondering. A rose-tinted view of old Cornwall in the minds of those who leave; the reality of rural poverty, second homes and altered communities for those who stay. A bittersweet story of enduring male friendship, that asks: have you ever wondered how life might have turned out if you’d made different decisions?
Written by Simon Parker. Directed by Ollie McFarlane. Design by Meier Williams. Produced by Sarah Pym. Professional and community cast and crew.
Sterts Theatre Cornwall 2021
Mike Sagar-Fenton
The Cornishman
We’ve all seen a lot of drama about Cornwall and Cornishness, from local plays to effing Poldark, but they rarely feel authentic. It’s harder than it looks, either falling into cutesiness for those who’ve never really engaged with us, or the doomy if true laments for our general hardship, sad history and lack of opportunity. But Poltroon was spot-on, telling the truth about second homes, loss of local families, house prices, and all the other unwelcome changes, but keeping the essential sense of humour and irony which runs through the Cornish spirit.
Jenny Alexander
The Free-Range Writer
A great night. All the depth and emotion I expect from this team. I’ve only lived in Cornwall for forty years, but there isn’t a place that is more home to me, so I loved how the play looked at the issues but felt entirely inclusive.
third light
Herodsfoot 1914: thirteen men march off to war. Herodsfoot 1918: thirteen men return home. Set on Remembrance Day 1971, two old soldiers reminisce. A true story of Cornwall’s only ‘fortunate village’, the anti-war narrative explores themes of good fortune, bad luck, faith, class and friendship.
Written by Simon Parker. Directed by Nicola Rosewarne. Choreography by Ben Dunks. Design by Meier Williams. Produced by Sarah Pym. Music by Sir Malcolm Arnold performed by St Pinnock Brass Band. 80-strong professional and community cast and crew.
Sterts Theatre Cornwall 2014
Minack Theatre Cornwall 2018
Mark Camp
Visit Cornwall
There are going to be many plays and films based on the First World War over the next few years... but this one will be up there with the best of them.
​Katherine Arnold
daughter of
Sir Malcolm Arnold
Wonderful. Dad would have been so pleased to have his music used in this way. All the music was so well integrated into such a fantastic, thought provoking evening.
Third Light, seen in the fogbound light of a classic Minack evening, was wholly absorbing. Brilliant work, in the writing of it, and in the unforced and compelling performances by all concerned.
Des Hannigan
St Ives Times and Echo
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gonamena
Minions Moor 1837. The Cornish copper boom. Inward migration tops three thousand. Shacks, ale shops, whorehouses, missionaries. Filth, danger, poverty. A farming family divided. Do the mines deliver opportunity or only wreak destruction? A universal story of change, and our individual responses to it.
Written by Simon Parker. Directed by Simon Harvey. Music by Simon Dobson. Produced by Sarah Pym. 100-strong professional and community cast and crew.
Sterts Theatre Cornwall 2009
Jackie Butler
Western Morning News
As well as being funny and charming and heartbreaking in equal measure, the tale unfolds in the language of the people, its language rich in authentic Cornish dialect, bringing to life the very human side of the Industrial Revolution.
Anna Murphy
playwright
A wonderful piece of work. Lovely, lovely writing – an absolute joy from start to finish.
other shows
Other shows from the arc include A Star On The Mizzen (toured), Seven Stars (toured), Mad Dog (Barbican Theatre, Plymouth), The Illegible Bachelor (Drum Theatre, Plymouth).
the
team
Simon Parker, creative director
simoncharlesparker@btinternet.com
Sarah Pym, producer
sarahlouisepym@aol.com
Jessie Parker, associate producer
jessieroseparker@hotmail.co.uk
the arc is grateful to FEAST Cornwall, Arts Council England, Cornwall Council, Cornish Mining World Heritage, Hall for Cornwall, The Minack, Sterts, Falmouth University, AMATA, The Cottam Family, and all of the performers and crew, family, friends and audiences for their continued support
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Key contributors include directors Nicola Rosewarne, Simon Harvey, Ollie Mcfarlane, choreographer Ben Dunks, designers Laura Mackenzie and Meier Williams, composers Simon Dobson and Tom Parker (Barefoot), St Pinnock Brass Band.
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Photography by Meier Williams, Steve Tanner, Julia Chalmers, Jessie Parker
Website design by Jessie Parker